Snap!

“Whatever the ‘real’ differences between the sexes may be, we are not likely to know them until the sexes are treated differently, that is alike.” -Kate Millett
Otherwise

Stay in the know!

Facebook Twitter Twitter

Pink Dollar Monsters: Why Queers are Gaggin’ at GaGa and Glee

Tuesday, April 19
7 to 9 pm

The last Counterpublic Collective session of the spring season will look at pop artist Lady Gaga and hit TV show Glee through the relationship between capitalism and queer identity. Both Lady Gaga and Glee have been praised for their impact on and promotion of gay culture and politics: Gaga advocates for issues like the repeal of Don’t Ask, Don’t Tell; Glee features gay and lesbian actors, same-sex storylines, and has tackled imminent topics like bullying in high schools. What happens when we look at Lady Gaga and Glee as a part of what Ann Pellegrini calls “commodity capitalism”?

Gaga throughout her career has referenced the continuum of queerness (bisexuality in Poker Face, trans/intersex references and voguing in Telephone, the origins of same-sex desire in Born This Way) while Glee depends on representing the panoply of “the Other” (the overweight Black girl, pregnant cheerleader, boy in a wheelchair, boy with a single mother, Asian girl with a stutter, girl with two gay dads, Jewish boy with an afro, etc.) to market and expand its viewership.

According to Forbes magazine, Lady Gaga is the 7th most powerful woman in the world, and just recently, Glee broke the record of most singles on the Billboard music charts with 113, a record previously held by the Beatles. Do Lady Gaga and Glee represent cultural and political progress or evidence of a depoliticized and commodified gay movement?

Facilitator: Juanes Hellman, Counterpublic Collective

Moderator: Jules Marx, Pride in Practice

NYU Silver School of Social Work
1 Washington Square North, Parlor
NYC

Required Readings:

Pellegrini, Ann. “Consuming Lifestyle: Commodity Capitalism and Transformations in Gay Identity” in Queer Globalizations: Citizenship and the Afterlife of Colonialism p.134-145

Suggested Readings:

Has Lady GaGa Redefined What it Takes to be a Gay Icon?” from Gay.com Daily.

Glee: A Money Making Machine”.

Presented by the Counterpublic Collective and the NYU Silver School of Social Work Pride in Practice; co-sponsored by the NYU Center for the Study of Gender and Sexuality.

Facebook event page:  http://www.facebook.com/home.php#!/event.php?eid=137190839688136

Share and Enjoy:
  • Print
  • Digg
  • Sphinn
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • LinkedIn
  • MySpace
  • RSS
  • Twitter
  • Yahoo! Buzz

Comments are closed.

** FALL 2017 EVENTS **

** FALL 2017 EVENTS **

Queering Asian American Contemporary Art

queering contemporary asian

a forum with Jan Christian Bernabe, Greyson Hong, Laura Kina, Kyoo Lee, Zavé Martohardjono, & Saya Woolfalk

October 18, Wednesday
6:30 to 8:30 pm

Asian/Pacific/American Institute
8 Washington Mews
NYC
RSVP required

From Field to Stage to Screen: Aesthetic Methodologies in the Making of Sweet Tea

From Field to Stage to Screen: Aesthetic Methodologies in the Making of Sweet Tea

a lecture by E. Patrick Johnson

October 19, Thursday
12 to 1:30 pm

Center for the Study of Gender & Sexuality
285 Mercer Street, 4th Floor
NYC

Intimate Relations: A Genealogy of Queer/Performativity

Intimate Relations: A Genealogy of Queer/Performativity

a lecture by Amelia Jones

October 25, Wednesday
6 to 7:30 pm

Performance Studies Studio
721 Broadway, room 612
NYC

The Right to Maim

The Right to Maim

a discussion & celebration of the new book by Jasbir K. Puar with panelists Liat Ben-Moshe, Fred Moten, Helga Tawil-Souri, & Hentyle Yapp, with a response by Jasbir Puar

November 3, Friday
5 to 6:30 pm

19 West 4th Street, room 101
NYC